No. 95: Pulp Fiction

Blood splatters the back seat of a car. Brains land in Samuel L. Jackson’s hair. And, you start…laughing? That's what happens when you watch Quentin Tarantino’s Pulp Fiction. It’s a weird phenomenon, and I assumed it wouldn't be my thing. Well, that’s not true. I know I said I was terrified of this movie, and for some of it, I was. But to my eternal surprise, I really, really liked it.

The gratuitous violence and constant swearing are unavoidable - but once you get past it, and focus more on the characters and their quirky stories, you'll enjoy the movie. I'm not sure I'd recommend it to everyone, because Pulp Fiction is an acquired taste. But there are so many cool things about it, and if you don't mind the gore, you should check it out.

Pulp Fiction features four main stories that eventually intersect. The movie zig-zags around Los Angeles, following shady characters like Vincent Vega (Travolta) and Jules Winnfield (Jackson), hired killers with a passion for guns, drugs and burgers. We also see Mia Wallace (Thurman) snort and O.D. on heroin, a bizarre couple's attempt to hold up a diner, an aging prizefighter obsessed with a family heirloom, and a couple of psycho pawnshop owners with some pretty crazy stuff in their basement. While the stories don’t sound similar, they all connect in some way. Trust me - it makes sense after you watch it.

Now, there’s something you should all understand. I’m not a big fan of violent movies, at all. I like comedies. I like Aladdin. Not exactly splattering brains. But I somehow managed to enjoy Pulp Fiction. How? Maybe because Tarantino balances the violence with just the right blend of actors, characters, and humor. I mean, this movie is absolutely hilarious! So many exchanges are just classic, especially between Travolta and Jackson. All the characters in the movie were perfectly cast, and they all have great timing. So maybe that’s why?

In short, if you like:

* Splattering blood

* All sorts of weaponry

* Samuel L. Jackson with an Afro

* John Travolta dancing (but not like nice Danny Zuko in Grease)

* Amazing, graphic camera work

* Hilarious and quotable dialogue

…then you’ll like Pulp Fiction. I know I did. Still, I can’t recommend it for everyone without a label: "Warning: Pretty Freaky." But good freaky.

Next up: No. 94, Goodfellas (1990) – a bloody Scorsese classic. Jeez, they really pile on the blood movies all at once, don’t they? The AFI couldn’t have given me say, a musical or a comedy? Oh well. Stick around and read about it!

No. 96: The Searchers

The Searchers (1956)

Starring: John Wayne, Vera Miles, Jeffrey Hunter

Director: John Ford

Awards: None… How is that possible?!

Fred and Ginger, Bogart and Bacall, Hepburn and Tracy…great screen teams, right? Well, in my opinion, there’s no better team than John Wayne and John Ford. Sure, they never acted together in front of the cameras. Fine, they didn’t have some catchy duo name. What they did have was real friendship, and you could see it in the love they put into their movies.

The Searchers is commonly regarded as one of - if not the - best Western ever made, as well as one of the best movies, period. I agree with both claims. Why? Well, you can read my list at the end of the post, or you can go watch the movie yourself. My vote is for you doing both!

Ethan Edwards (Wayne), a racist Native American-hating soldier, returns to his brother’s home to reunite with his family. After he's drawn out of the house by a ruse, the nearby Comanche tribes go on a killing spree. Ethan finds his brother’s house burned down, and everyone's dead but his two kidnapped nieces, Debbie and Lucy. The tribe eventually kills Lucy, but keeps Debbie. Ethan and his nephew Martin (Hunter) chase the kidnappers and after five years of searching they find Debbie, who’s now part of the Comanche tribe. They lose her and return home, where Martin is reunited with his maybe-fiance (Miles) and Ethan prepares for a final showdown with the Comanches. In a tense ending scene they do find Debbie, and Ethan brings her home. What happens to Ethan? Well, he strides off by himself. Who knows.

This movie is so gorgeous and so brilliant that it’s inspired many other movies (and… music?). One familiar example is in Star Wars: A New Hope. The scene where Luke comes home to find a fiery house and his aunt and uncle’s smoking bodies? Straight from The Searchers. The desert scenes from Lawrence Of Arabia? Yeah, David Lean studied John Ford. There was also a band called The Searchers, and Buddy Holly wrote a song based on Wayne’s catch phrase in the film, “That’ll Be The Day.” Who knew?

While there's a lot of funny trivia about this film, the overall movie is anything but funny. Wayne as Ethan Edwards is brilliant - the quintessential anti-hero, but the character is sometimes so erratic and painfully biased that it hurts to watch. Unsurprisingly, the Native Americans are portrayed as caricatures, shown as tomahawk-throwing scalping beasts. And then there’s the deeper message. By the end of the movie, you realize that wanting to save Debbie isn't what drives Edwards; he’s driven by rage, and his own prejudice. John Ford was trying to make a serious comment about racism, and he succeeded. It’s just not easy to watch.

In short, if you like:

* The Duke
* John Ford
* Absolutely GORGEOUS cinematography
* Crying
* Badly stereotyped Native Americans
* Cowboys

Then you’ll like The Searchers. Believe me, this is a movie anyone can like, and everybody should like.

I can’t even write about the next movie without being scared: No. 95, Pulp Fiction (1994), starring John Travolta and Samuel L. Jackson. I'm not a big fan of splattering brains. Know how I said I was going to faint watching Unforgiven? Pshh. That was nothing. Well, at least you’ll have fun reading about me passing out. Stick around and read about it… I guess?